Kees Ribbens |
1 |
World War II in European Comics: National Representations of Global Conflict in Popular Historical Culture |
Warat Karuchit |
34 |
The Renaissance of Thai Knowledge Cartoons |
Peter M. Coogan |
50 |
From Love to Money: The First Decade of Comics Fandom |
John A. Lent and Xu Ying |
68 |
Workers-Specific Comic Art of China: Worker’s Cartoon Group (Beijing) and Frog Cartoon Group (Qiu County, Hebei) |
Maaheen Ahmed |
103 |
Fallen Angels and Shattered Skies: Rejected Conventions in Yslaire’s Could 99 (XXe Ciel) |
Giulio C. Cuccolini |
124 |
A Two-sided Narration through Words and Images |
Héctor Fernández L’Hoeste |
135 |
Edgar Clément’s “The Sword of God”: On The Practice of Hybridization in Mexican Comics |
William Boerman-Cornell |
147 |
History Is Relatives: Educational Affordances of the Graphic Novel in The Magical Life of Long Tack Sam |
Airel Kahn |
157 |
Between Eros and Thanatos: Death and Desire in the Short Fiction of Koren Shadmi and Rutu Modan |
Tony Venezia |
183 |
Archives, Alan Moore, and the Historio-Graphic Novel |
Ana G. Gal |
200 |
The Social Modes of Heroization and Vilification in Stoker’s Dracula, a Graphic Novel by Roy Thomas and Dick Giordano |
Sarita G. |
215 |
Remembering the Relics: Study of Select Comic Books That Trace the Roots of India’s Cultural Inheritance |
Sol M. Davidson |
243 |
Have Comics, Will Travel: Two Hobbies, One Great Journey |
John Otu |
275 |
Nigerian Cartooning and the Dearth of Female Cartoonists |
Geoffrey Moses |
288 |
“What a Life!” Carl Barks’ Donald Duck as Nervous Modern |
Jeremy Stoll |
302 |
A Domestic Schizophrenia: Gender and Political Cartoons in the Middle East |
Robert G. Weiner |
323 |
Portrayal of Nurses and Marvel Comics’ Night Nurse |
A. David Lewis |
337 |
New Jerusalem Postponed: Revelation and Darnall & Ross’s Uncle Sam |
Bob Britten |
355 |
Picturing Terror: Visual and Verbal Rhetoric in The 9/11 Report Graphic Adaptation |
Aaron Clayton |
370 |
Bloody Hell: Realism in American War Comics |
Jessica Kowalik |
388 |
Miller Misunderstood: Rethinking the Politics of “The Dark Knight” |
Andy Smith |
401 |
The Ephemeral Nature of Everything: A Conversation with Art Spiegelman |
Marguerite Imbert |
410 |
The Spirit of Animation: An Interview with Jules Feiffer |
Roman Rosenbaum |
415 |
Tezuka Osamu: Adolf – Towards a Historio-graphic Novel |
Andrew Yang |
435 |
The Two Japans of “Spirited Away” |
Asif Iqbal |
453 |
Origins and Status of Pakistani Animation |
Wai-Ming Ng |
460 |
The Consumption and Perception of Japanese ACG (Animation-Comic-Game) among Yong People in Hong Kong |
John A. Lent |
478 |
The Printed Word |
Derek Parker Royal |
483 |
Four Recent Guides to Graphic Novels |
|
493 |
Book Reviews |
|
507 |
Exhibition and Media Reviews |
|
529 |
Portfolio |
