| Spring/Summer
1999 |
218 pages / 18 articles |
x |
|||||||||
| Fall
1999 |
250
pages / 21 articles |
x |
|||||||||
| Spring
2000 |
213
pages / 19 articles |
x |
|||||||||
| Fall
2000 |
331
pages / 19 articles |
Portfolio:
1o pieces |
|||||||||
| Spring
2001 |
302
pages / 24 articles |
Portfolio:
14 pieces |
|||||||||
| Fall
2001 |
344
pages / 24 articles |
Portfolio:
7 pieces |
|||||||||
| Spring
2002 |
322
pages / 27 articles |
Portfolio:
12 pieces |
|||||||||
| Fall
2002 |
375
pages / 22 articles |
Portfolio:
12 pieces |
|||||||||
| Spring
2003 |
426
pages / 29 articles |
Portfolio:
13 pieces |
|||||||||
| Fall
2003 |
526
pages / 34 articles |
1
special Index/Portfolio: 11 pieces |
|||||||||
| Spring
2004 |
386
pages / 22 articles |
Portfolio:
10 pieces |
|||||||||
| Fall
2004 |
26
articles |
Portfolio:
11 pieces |
|||||||||
| Spring
2005 |
35
articles |
Portfolio:
16 pieces |
|||||||||
Fall
2005 |
|||||||||||
Spring
2006 |
|||||||||||
Fall
2006 |
|||||||||||
Spring
2007 |
|||||||||||
Fall 2007 |
|||||||||||
Spring
2008 |
|||||||||||
| John A. Lent | 1-3 |
Editor's
Note: Finally, an International Journal for Comic Art
|
|
Joseph
Witek
|
4-16
|
Comics
Criticism in the United States; A Brief Historical Survey
|
|
Matthew
Lombard,
John A. Lent, Linda Greenwood, Asli Tunc |
17-32 | A Framework for Studying Comic Art |
|
Allen
Ellis
|
33-41
|
Comic
Art in Scholarly Writing: A Citation Guide
|
|
Peter
Duus
|
42-56
|
The
Marumaru Chinbun and the Origins of the Japanese Political Cartoon
|
|
Gene
Kannenberg, Jr.
|
57-75
|
Proving
"Silas" an Artist: Winsor McCay's Formal Experiments in Comics
and Animation
|
|
Mike
Kidson
|
76-89
|
William
Hogarth: Printing Techniques and Comics
|
|
David
A. Beronä
|
90-103
|
Breaking
Taboos: Sexuality in the Work of Will Eisner and the Early Wordless Novels
|
|
Leif
Packalén
|
104-121
|
Comics
in the Development of Africa
|
|
Bart
Beaty
|
122-139
|
Featuring
Stories by the World's Greatest Authors:
Classics Illustrated and the "Middlebrow Problem" in the Postwar Era |
|
Pascal
Lefèvre
|
140-149
|
Recovering
Sensuality in Comic Theory
|
|
John
A. Lent
|
150-156
|
The
Horrors of Cartooning in Slim's Algeria
|
|
David
E. Goldweber
|
157-170
|
Mr.
Punch, Dangerous Savior
|
|
Waldomiro
C. S. Vergueiro
|
171-186
|
Children's
Comics in Brazil: From Chiquinho to Mônica, A Difficult Journey
|
|
Nadilson
Manoel da Silva
|
187-204
|
Brazilian
Adult Comics: The Age of Market
|
|
Spiros
Tsaousis
|
205-218
|
Postmodern
Spatiality and the Narrative Structure of Comics
|
| John A. Lent | 1-3 | Editor's Note |
| Jose Alaniz | 4-28 | Towards a History of a 'Stalled' Medium: Comics in Russia |
| Marc Singer | 29-40 | Invisible Order: Comics, Time and Narrative |
| Anne Rubenstein | 41-54 | Mexican
Magazine Censor Versus the United States Mariens: A Case Study of Transnational Reception |
| Michael A. Chaney | 55-65 | The Dismangling Evolution of Heroes: Aquaman's Amputation |
| John A. Lent | 66-75 | Poland's Malgorzata Tabaka, Drawer of Lyrical Satirical Cartoons |
| Daniel Patanella | 76-85 | The Persuasive Techniques and Psychological Validity of Seduction of the Innocent |
| Igor Prassel | 86-97 | Slovenian Comics |
| Allen
Douglas Fedwa Malti-Douglas |
98-106 | Islamic "Classics Illustrated": Regendering Medieval Philosophy in a Modern Tunisian Strip |
| Joost Pollmann | 107-126 | An Art of the Real: About the Adulthood of Contemporary Comics |
| Turgut Ceviker | 127-131 | The City and Housing in Turkish Cartoons |
| Mark C. Rogers | 132-142 | Licensing Farming and the American Comic Book Industry |
| Michael G. Rhode | 143-170 | The Commercialization of Comics: A Broad Historical Overview |
| Francis B. Nyamnjoh | 171-190 | Press Cartoons and Politics in Cameroon |
| Caridad Blanco de la Cruz | 191-194 | The Engineering of Humor |
| Stanford W. Carpenter | 195-215 | The Tarzan vs. Predator Comic Book Mini-Series: An Ethnographic Analysis |
| 216-237 | "New Voices in Comics" 1998: A Roundtable | |
| John A. Lent | 238-241 | The Printed Word |
| Mark C. Rogers | 242-243 | Reviews |
| Gene Kannenberg, Jr. | 244-247 | Critical Closure |
| 248-250 | Correspondence | |
| John A. Lent | 1-2 | Editor's Note |
| Leonard Rifas | 3-32 | Cold War Comics |
| Annette Matton | 33-43 | Reader Responses to Doug Murray's The 'Nam |
| Wai-ming Ng | 44-56 | A Comparative Study of Japanese Comics in Southeast Asia and East Asia |
| Andrew Matzner | 57-75 | Not a Pretty Picture: Images of Married Life in Thai Comic Books |
| Old Frahm | 76-84 | Weird Signs: Aesthetics of Comics as a Parody |
| Maurice Horn | 85-89 | American Comic Strips And Silent Seriable: A Prarallel |
| Zdravko Zupan | 90-101 | The Golden Age of Serbian Comics Belgrade Comic Art 1935-1941 |
| John A. Lent | 102-108 | East European Cartooning: Differences over Time and Space |
| Oleg Dergatchov | 109-116 | Leonid Tishkov's Dabloids: Russian Myth in Comics |
| Michael Hill | 117-132 | Outside Influence / Local Color: The Australian Small Press |
| Anne N. Thalheimer | 133-143 | Terrorists, Bitches, and Dykes: Late 20th Century Lesbian Comix |
| Barbara Jo Lewis | 144-158 | Cyborg Might: Conceptions of Power in Comic Book Art |
| Libbie McQuillan | 159-177 | Between the Sheets at Pilote: 1968-1973 |
| Caridad Blanco | 178-189 | Always the Other One: Salomon |
| Ana Merino | 190-197 | Inodoro
Pereyra, A "Gaucho" in the Pampa of Paper and Ink: Folkloric and Literary Intertextuality and Its Reformulations in Argentinean Comics |
| Oyin Medubi | 198-206 | Leadership Stereotypes and Lexical Choices: An Example of Nigerian Cartoons |
| John A. Lent | 207-208 | The Printed Word |
| Mike
Kidson Michael G. Rhode |
209-213 | Reviews |
| David R. Spencer | 1-32 | Double Vision: The Victorian Bi-cultural World of Henri Julien |
| Wendy
Siuyi Wong Lisa M. Cuklanz |
33-53 | The Emerging Image of the Modern Woman in Hong Kong Comics of the 1960s & 1970s |
| Francis Nyamnjoh | 54-76 | Zapiro and South African Political Cartooning |
| Jordan J. Titus | 77-99 | Gnashing of Teeth: The Vagina Dentata Motif in "Bad Girl" Comics |
| Chris York | 100-110 | All in the Family: Homophobia and Batman Comics in the 1950s |
| Thierry Groensteen | 111-120 | Gustave Dore's Comics |
| Kalman Rubovszky | 121-134 | The Hungarian Comic Strip at the Turn of the Millennium |
| Mel Gibson | 135-151 | Reading as Rebellion: The Case of the Girls' Comic in Britain |
| Ruth Boyask | 152-163 | Reading Community in Funtime Comics: A New Zealand Narrative |
| Waldomiro C. S. Vergueiro | 164-177 | Brazilian Superheroes in Search of Their Own Identities |
| Jeff Williams | 178-190 | The Evolving Novel: the Comic-Book Medium as the Next Stage |
| Paul P. Somers, Jr. | 191-205 | Krauts Hinaus: Graphic Stereotypes of German-Americans Before and During World War I |
| Eric Weitzel | 206-232 | Of
Pop Culture Pleasures and Radical Aesthetics: The Influence of Popular Comic Strips on Picasso's Political Art |
| Jongmin
Park Sung Wook Shim |
233-247 | The
Presidential Candidates in Political Cartoons: A Reflection of Cultural Differencs between the United States and Korea |
| Michael
L. Maynard Edward Lordan |
248-264 | Laughing at the Glass Ceiling in The Wall Street Journal Cartoons |
| Michael
Rhode Tom Furtwangler David Wybenga |
265-306 | Stories Without Words: A Bibliography with Annotations |
| John A. Lent | 307-309 | The Printed Word |
| 310-321 | Reviews | |
| Gene Kannenberg, Jr. | 322-324 | Critical Closure |
| 325-331 | Portfolio | |
| John A. Lent | 1-2 | Editor's Note |
| John A. Lent | 3-8 | Comic Art: Some Global Issues |
| Joost Pollman | 9-21 | Shaping Sounds in Comics |
| Jeremy Allen | 22-37 | A Virtual Revolution: Australian Comic Creators and the Web |
| Tim Blackmore | 38-58 | What a Picnic!: Swamp Ecology in Walt Kelly's Pogo |
| Lim Cheng Tju | 59-76 | "Sister Art" - A Short History of Chinese Cartoons and Woodcuts in Singapore |
| David E. Goldweber | 77-85 | The Function of Dreams and Stories in The Sandman |
| Pierre L. Horn | 86-92 | American Graffiti - French Style: Three Comic Strip Artists Look at Pre-War America |
| Mark C. Rogers | 93-108 | Ideology in Four Colours: British Cultural Studies Do Comics |
| Jean-Marie Bertin | 109-119 | Thoughts and Views on Raymond Peynet, French Artist and Universal Poet |
| Sheng-mei Ma | 120-148 | The Nine Lives of Blackhawk's Oriental: Chop Chop, Wu Cheng, and Weng Chan |
| Sue
Ralph Beth Haller Tim Lees |
149-169 | "Off Me Head": Cartoons from English Newspapers Concerning the Glenn Hoddle Affair |
| Peter Nieuwendijk | 170-190 | Several Ways of Making a Cartoon (with 26 Examples) |
| Andy Mason | 191-197 | Africa Ink: Cartoonists Working Group, Towards an Association of African Cartoonists: Report of an International Workshop on Cartoon Journalism and Democratisation in Southern Africa |
| John A. Lent | 198-202 | How To Withstand War, the Rastko Ciric Way |
| Chris Gage | 203-209 | Can You Dig It? The World of Fast Willie Jackson |
| William Foster, III | 210-216 | Interview with Bertram Fitzgerald: The Life and Times of Fast Willie Jackson (1976-1977) |
| M. Thomas Inge | 217-250 | Comic Strips: A Bibliographic Essay |
| Lucy Shelton Caswell | 251-262 | Resources for Scholars at The Ohio State University Cartoon Research Library |
| Michael
Rhode Ray Bottorff, Jr. |
263-274 | The Grand Comics Database (GCD): An Evolving Research Tool |
| John A. Lent | 275-277 | The Printed Word |
| Peter
Coogan Michael Rhode |
278-282 | Book Reviews |
| Michael Rhode | 283-288 | Exhibition Reviews |
| Gene Kannenberg, Jr. | 289-291 | Critical Closure |
| 292-302 | Portfolio | |
| [Latin
American Comic Art: A Symposim] |
||
| John A. Lent | 1-22 | An Historical and Contemporary Overview |
| Andres Accorsi | 23-43 | Argentine Comics |
| Jeff Williams | 44-55 | Argentine Comics Today: A Foreigner's Perspective |
| Ana Merino | 56-69 | Oesterheld, the Literary Voice of Argentine Comics |
| Waldomiro C. S. Vergueiro | 70-78 | Brazilian
Pornographic Comics: A View on the Eroticism of a Latin American Culture in the Work of Artist Carlos Zefiro |
| Perucho Mejia G. | 79-82 | Comic Art in Colombia: a Short Historical Journey |
| Dario Mogno | 83-105 | Parallel Lives: Comics and Animated Cartoons in Cuba From Beginning to Present |
| Caridad Blanco de la Cruz | 106-115 | Ares: An Undomesticated Humorist |
| Daniel Puch | 116-126 | Cartooning in Uruguay: Not Yet the White Flag |
| Gisel Gil-Egui | 127-137 | Venezuela's Alonso and the Art of leaving It All to Art |
| Beatrice Marechal | 138-150 | "The Singular Stories of the Terashima Neighborhood": A Japanese Autobiographical Comic |
| Fusami Ogi | 151-161 | Beyond
Shoujo, Blending Gender: Subverting the Homogendered World in Shoujo Manga (Japanese Comics for Girls) |
| Nhu-Hoa Nguyen | 162-174 | The Rhetoric of Parody in Claire Bretecher's Le Destin de Monique |
| Philippe Sohet | 175-188 | Figures and Representation of the Fantastic in Andreas's Work |
| Kerry Soper | 189-201 | Gentrifying the Alternatives or Alternifying the Mainstream? Consolidation, Incorporation, and the State of Comic Strip Satire in Alternative Weeklies, 1985-2000 |
| Bart Beaty | 202-221 | Fredric Wertham Faces His Critics: Contextualizing the Postwar Comics Debate |
| Patricia
Watson Shariff Hilary Janks |
222-238 | Changing Stories: The Making and Analysis of a Critical Literacy Romance Comic |
| Mel Gibson | 239-249 | "Wham!
Bam! The X-Men Are Here": The British Broadsheet Press and the X-Men Film and Comic |
| Mark David Nevins | 250-294 | "New Voices in Comics III" (ICAF 2000) |
| M. Thomas Inge | 295-328 | Comic Books, A Bibliographic Essay |
| John A. Lent | 329-331 | The Printed Word |
| David Berona | 332-334 | Book Review |
| Michael Rhode | 335 | Exhibition Review |
| Gene Kannenberg, Jr. | 336-337 | Critical Closure |
| 338-343 | Portfolio | |
| John A. Lent | 1-4 | Editor's Note |
| [There
at the Beginning: Early Days of Comics Scholarship] |
||
| John A. Lent | 5 | Introduction |
| Maurice Horn | 6-22 | How It All Began, or Present at the Creation |
| Alvaro de Moya | 23-25 | Pioneering in Brazilian Quadrinhos, as a Cartoonist and Researcher |
| Giulio C. Cuccolini | 26-39 | In Search of Lost Time or Time Regained |
| Arthur Asa Berger | 40-47 | Is This the Kind of Thing That Serious Academics Do? |
| Wolfgang J. Fuchs | 48-59 | The Story of an "Anatomy" That Gave Recognition to Comics as a Mass Medium |
| Will Eisner | 60-63 | Comics and Electronics |
| Martin Barker | 64-77 | Kicked into the Gutters: or, "My Dad Doesn't Read Comics, He Studies Them." |
| Trina Robbins | 78-83 | How I Became a Herstorian |
| John A. Lent | 84-96 | Almost Left at the Gate: An Arrhythmic Career in Comics Scholarship |
| David Ehrlich | 97-133 | Growing up with Dinosaurs: An Interview with Steve Bissette |
| Randy Duncan | 134-142 | The Weaver's Art: An Examination of Comic Book "Writing" |
| Jeffrey A. Miller | 143-150 | Comics Narrative as Striptease |
| Trina Robbins | 151-162 | No
Man Is My Master: American Romance Comics of the 1970s and the Women's Liberation Movement |
| K. A. Laity | 163-169 | Construction
of a "Female Hero": Iconography in Les aventures extraordinaires d'Adele Blanc-Sed |
| John A. Lent | 170-204 | New Zealand -- Exporter of Mainstream Cartoonists, Haven for Alternative Comics |
| Fabrice Leroy | 205-217 | Absent-Mindness, Mustaches, and the Cold War: The Image of Science in Herge's Professor Calculus and Franquin's Count of Champignac |
| Oleg Dergachov | 218-227 | Rosta Windows: As a Phenomenon of Russian Revolutionary Comic Strips |
| Stanford W. Carpenter | 228-238 | Alex
Simmons and the African-American Soldier of Fortune Known as Blackjack:
A Case Study in Independent Comic Book Publishing |
| Brian Cremins | 239-247 | "Why
have you allowed me to see you without your mask?": Captain America #133 and the Great American (Protest) Novel |
| Nadilson Manoel da Silva | 248-268 | Viz Comic: Carnival and Commercialization |
| A. David Lewis | 269-300 | Kingdom Code |
| John A. Lent | 301-304 | The Printed Word |
| David
Beronä Rocco Versaci |
305-309 | Book Reviews |
| Micheal Rhode | 310 | Exhibition Reviews |
| Gene Kannenberg, Jr. | 311-312 | Critical Closure |
| 313-322 | Portfolio | |
| Mark David Nevins | 1-52 | "Drawing from Life": An Interview with Joe Sacco |
| Micheline Maupoint | 53-69 | Plantu: The Editorial in Caricatures: An Analysis of the Role and the Impact of Plantu's Political Cartoons in the French Daily Newspaper, Le Monde |
| Hector D. Fernandez L'Hoeste | 70-83 | Resurrecting the Nation Through the Eyes of a Native: The Case of Turey el Taino |
| John A. Lent | 84-123 | Fear [of] and Loafing [with] Ralph Steadman in Turkey |
| Natsu Onoda | 124-138 | Drag Prince in Spotlight: Theatrical Cross-Dressing in Osamu Tezuka's Early Shojo Manga |
| Rik Sanders | 139-156 | The Changing of Dutch Comics: Some Pluses and Minuses |
| Waldomiro
Vergueiro Lucimar Ribeiro Mutarelli |
157-167 | Forging a Sustainable Comics Industry: A Case Study on Graphic Novels as a Viable Format for Developing Countries, Based on the Work of a Brazilian Artist |
| William H. Foster III | 168-185 | The
Image of Blacks (African Americans) in Underground Comix: New Liberal Agenda or Same Racist Stereotypes? |
| Christopher Murray | 186-208 | Superman vs Imago: Superheroes, Lacan, and Mediated Identity |
| Reiko Tomii | 209-223 | Akasegawa
Genpei's The Sakura Illustrated: When the Good Old Man Makes a Dead Tree Flower and the Bad Old Man Throws a Fire Bomb |
| Maurice Horn | 224-228 | The Lady, or the Dragon? |
| Richard Ostrom | 229-240 | Bali's
Transition from a Traditional to a Modern Society: Some Op-Art Warnings about the Trade-offs |
| Michael L. Maynard | 241-260 | Friendly
Fantasies in Japanese Advertising: Persuading Japanese Teens through Cartoonish Art |
| A. David Lewis | 261-275 | The Secret, Untold Relationship of Biblical Midrash and Comic Book Retcon |
| Jae-Woong Kwon | 276-286 | Korean Cartoonists' Reactions to Bush's "Axis of Evil" |
| John A. Lent | 287-291 | Larry Alcala and the Depiction of Filipinos As They Are |
| Wendy Kail | 292-314 | Clifford K. Berryman: Drawing The Line |
| Hong-Chi Shiau | 315-326 | American Imported Animation in Taiwan: A Case Study of South Park |
| John A. Lent | 327-329 | The Printed Word |
| Marc
Singer Charles Hatfield Rocco Versaci Mark Rogers Jeff Williams Michael Rhode A. David Lewis |
330-352 | Book Reviews |
| Michael Rhode | 353-354 | Exhibition Review |
| Gene
Kannenberg, Jr. Michael Rhode |
355-358 | Critical Closure |
| 359-368 | Portfolio | |
| John A. Lent | 1-2 | Editor's Note |
| [Pioneers
of Comic Art Scholarship Series] |
||
| David Kunzle | 3-7 | Kunzle and the Comic Strip |
| Sture Hegerfors | 8-20 | Sture Hegerfors and Swedish Comics Scholarship |
| M. Thomas Inge | 21-30 | Portrait of the Professor as a Failed Cartoonist |
| Ana Merino | 31-73 | Gary Groth and Kim Thompson: Interviews with the Heart of the Alternative Comics Industry |
| Fredrik Stromberg | 74-94 | Swedish Comics and Comics in Sweden |
| Jigal Beez | 95-114 | They
Are Crazy These Swahili: Komredi Kipepe in the Footsteps of Asterix; Globalization in East African Comics |
| Nhu-Hoa
Nguyen Philippe Sohet |
115-133 | Social
Criticism in a Singular Mode of Expression: The Art of New Realist Cartoonist Chantal Montellier |
| Allen
Douglas Fedwa Malti-Douglas |
134-146 | Tardi and Daeninckx: Comic Strips, Detective Novels, and World War I |
| Deborah Shamoon | 147-160 | Focalization and Narrative Voice in the Novels and Comics of Uchida Shungiku |
| Natsu Onoda | 161-194 | Tezuka Osamu and the Star System |
| Brad Prager | 195-213 | Modernism
in the Contemporary Graphic Novel: Chris Ware and the Age of Mechanical Reproduction |
| M. Thomas Inge | 214-219 | William Faulkner and the Graphic Novel |
| Hector D. Fernandez L'Hoeste | 220-230 | The Mystery of Kaliman, el Hombre Increible: Race and Identity in Mexican Comics |
| Richard Ostrom | 231-243 | The
changed Function of Political Cartoonists in Indonesia: From Challenging a Repressive Regime to Promoting Democratic Reforms |
| Kenneth D. Nordin | 244-255 | The Editorial Comic Art of Clay Bennett |
| John A. Lent | 256-289 | Cartooning in malaysia and Singapore: The Same, but Different |
| Ron Provencher | 290-291 | Remembering "The Chief," Rejab Had: Cartoonist, Story Teller, Teacher, and Philosopher |
| Muliyadi Mahamood | 292-304 | An Overview of malaysian Contemporary Cartoons |
| Mel Gibson | 305-324 | "You Can't Read Them, They're for Boys!" British Girls, American Superhero Comics and Identity |
| Chetan Desai | 325-333 | The Krishna Conspiracy |
| Craig Fischer | 334-354 | Fantastic Fascism? Jack Kirby, Nazi Aesthetics, and Klaus Theweleit's Male Fantasies |
| Live Action Cartoonists | 355-365 | Have
Markers, Will Travel: Live-Action Cartoonists in the Age of Multimedia Performances and Online Comics |
| Martha H. Kennedy | 366-373 | Early Creative Responses to 9-11 by Comic Artists: Panelists Share Personal Experiences |
| John A. Lent | 374-376 | The Printed Word |
| David Kunzle | 377-384 | Review Essay |
| David
Kunzle Leonard Rifas Marc Singer |
385-393 | Book Reviews |
| Bart
Beaty Maurice Horn Jennifer Wood Michael Hill Michael Rhode |
394-405 | Exhibition / Festival Reviews and Report |
| Gene Kannenberg, Jr. | 406-407 | Critical Closure |
| 408-426 | Portfolio | |
| John A. Lent | i |
Editor's Note |
| [Spanish
Comics: A Symposim] |
||
| Ana
Merino |
3-4 |
Introduction |
| Viviane
Alary |
5-27 |
Briefness
in Spanish Comics: A Few Landmarks |
| Manuel
Barrero |
28-49 |
The
Evolution of Children's Comics in Spain |
| Jesus
Jimenez Varea |
50-65 |
You
Can Never Win: An Analysis of Comic Strips by the Spanish Cartoonist Penarroya |
| Anne
Magnussen |
66-84 |
Spanish
Comics and Family |
| Pedro
Perez del Solar |
85-101 |
Old
Fashions for New Times: El Desencanto in Spanish Comics |
| Juan
Garcia Cerrada |
102-109 |
The
Graphic Humor Program of the General Foundation of the University of Alcala |
| Miguel
Alejo |
110-118 |
Chumy
Chumez: The Work of Jose Maria Gonzalez Castrillo |
| Ernesto
J. and Gabriel E. Abad |
119-137 |
Cels
Pinol: The Comics Fan and The Author |
| Alvaro
Pons |
138-153 |
Between
Avant-garde and Commerciality: The Dichotomy of New Alternative Publishing
Companies in Spain |
| Kenneth
D. Nordin |
154-167 |
Cartoonist
Dick Locher in Retrospect: His Life and Work |
| Bart
Beaty |
168-183 |
The
Contemporary Field of European Comics: The Example of Lewis Trondheim |
| Wai-ming
Ng |
184-193
|
Japanese
Elements in Hong Kong Comics: History, Art, and Industry |
| Muliyadi
Mahamood |
194-204 |
Japanese
Style in Malaysian Comics and Cartoons |
| [Pioneers
of Comic Art Scholarship Series] |
||
| Bill
Blackbeard |
205-215 |
The
Four Color Paper Trail: A Look Back |
| Fusami
Ogi |
216-232 |
Shimizu
Isao: A Pioneer in Japanese Comics (Manga) Scholarship |
| Sol
M. Davidson |
233-240 |
Culture
& the Comic Strips |
| Donald
Ault |
241-260 |
In
the Trenches, Taking the Heat: Confessions of a Comics Professor |
| Benjamin
F. Towle |
261-280 |
An
Examination of Historiography in the Comics Medium |
| Joseph
Witek |
281-295 |
Long
Form/Short Form: Narrative Strategies of Some 9/11 Comics |
| A.
David Lewis |
296-311 |
One
for the Ages: Barbara Gordon and the (Il-)Logic of Comic Book Age-Dating |
| Tomas
Prokupek |
312-338 |
Czech
Comics |
| Brian
Cremins |
339-350 |
"I
Asked for Water (She Gave Me Gasoline)": Tim Truman's Scout and Social Satire in the Independent Comics of the 1980s |
| John
A. Lent and Xu Ying |
351-366 |
Chinese
Women Cartoonists: Historical and Contemporary Perspectives |
| Christopher
Murray, Joyce A. Walker, and Douglas Webster |
367-391 |
My
Mouth Is Quiet, but My Mind Is Noisy: The Work of John Watson |
| Jason
Tondro |
392-424 |
Angel
Passage: An Edition Lyris by Alan Moore |
| Kinko
Ito |
425-436 |
Japanese
Ladies' Comics as Agents of Socialization: The Lessons They Teach |
| John
A. Lent |
437-440 |
The
Printed Word |
| David
Kunzle |
441-449 |
Review
Essay |
| David
Beronä |
450-452 |
Book
Review |
| Mark
David Nevins, Christian Hill, Susannah Mandel, Marc Singer Martha H. Kennedy |
453-467 |
Exhibitions
Reviews |
| Gene
Kannenberg, Jr. |
468-469 |
Critical
Closure |
| John A. Lent | 470-483 |
Tootin' Our Own Horn |
| Jae-Woong Kwon, John A. Lent | 484-519 |
International Journal of Comic Art Index, Volumes 1-5 (1999-2003) |
| 520-526 |
Portfolio | |
|
Christian
Hill
|
1-17
|
Narrative
Aesthetics of Time and Space in the Comics Series, Broussaille,
by Frank and Bom
|
|
Clare
Tufts
|
18-36
|
Vincent
Krassousky - Nazi Collaborator or Naive Cartoonist?
|
|
Adam
Cathcart
|
37-55
|
Cruel
Resurrection: Chinese Comics and the Korean War
|
|
John
A. Lent
|
56-76
|
India's
Amar Chitra Katha: "Fictionalized" History or the Real Story?
|
|
Jigal
Beez
|
77-95
|
Katuni
Za Miujuza: Fantastic Comics from East Africa
|
|
Levi
Obonyo
|
96-116
|
Cartoonists
in Kenya: Past, Present, and Future
|
|
Bert
Hansen
|
117-147
|
True-Adventure
Comic Books and American Popular Culture in the 1940s: An Annotated Research
Bibliography of the Medical Heroes
|
|
Hector
D. Fernandez L'Hoeste
|
148-162
|
Vladdo,
Aleida, and the Politics of Gender in War-Torn Colombia
|
|
Jeffrey
F. Taffet
|
163-190
|
Selling
the Alliance: US Propaganda vs. Chilean Editorial Cartons during the 1960s
|
|
David
R. Spencer
|
191-220
|
The
Trojan Horse: Free Trade, the Americans, and Canadian Political Cartoonists,
1849-1879
|
|
Marco
Tulio Vilela / Waldomiro Vergueiro
|
221-235
|
The
Brazilian X-Men: How Brazilian Artists Have Created Stories That Stan
Lee Does Not Know About
|
|
Marc
Singer
|
236-249
|
Unwrapping
The Birth Caul: Word, Performance, and Image in the Comics Text
|
|
Masao
Yokota
|
250-265
|
Satoshi
Kon's Transition from Comics to Animation
|
|
Jeffrey
Miller
|
266-280
|
A
Response to Kobayashi Yoshinori's On Taiwan
|
|
Sueen
Noh
|
281-298
|
The
Gendered Comics Market in Korea: An Overview of Korean Girls' Comics,
Soonjung Manhwa
|
|
David
A. Beronä
|
299-315
|
Pumping
Iron: Male Stereotypes in Delisle's Albert et les Autres
|
|
Kent Worcester (Transcribed)
|
316-328
|
Words
and Pictures in the Classroom: A Symposium
|
|
Daiwon
Hyun
|
329-339
|
Promoting
the Digital Content Industry in Korea, Focusing on Exporting Animation
|
|
John
A. Lent
|
340-343
|
The
Printed Word
|
|
Craig
Fisher /
Mark C. Rogers / Charles Hatfield / Michael Rhode |
344-357
|
Book
Reviews
|
|
David
A. Beronä
/
Ron Stewart / Michael Rhode / Trina Robbins / Michel Kempeneers |
358-367
|
Exhibition
Reviews
|
|
Gene
Kannenberg, Jr
|
368-372
|
Critical
Closure
|
|
|
373-379
|
Portfolio
|
|
Patch
Adams, MD
|
1-29
|
|
|
Fabio
Gadducci
|
30-77
|
Notes
on the Early Decades of Italian Comic Art
|
|
Maurice
Horn
|
78-89
|
Guido
Crepax: A Memorial Tribute
|
|
Harlen
Makemson
|
90-117
|
Private
Vice and Public Virture: Political Cartoons as "Opprobrious Discourse"
Against Grover Cleveland During the 1884 Presidential Campaign
|
|
Karon
Reinboth Speckman
|
118-137
|
The
Bush-Blair Duo Before 2003 Iraqi War: Cartoons from London Newspapers
|
|
Leonard
Rifas
|
138-171
|
Globalizing
Comic Books from Below: How Manga Came to America
|
|
Matthias
Schneider
(trans. Annette Gentz) |
172-181
|
Der
Fuehrer's Animation -- Animation and Propaganda in the German Reich
|
|
Kathrin
Bower
|
182-194
|
Holocaust
Avengers: From "The Master Race" to Magneto
|
|
Pascal
Lefèvre
|
195-204
|
The
Cold War and Belgian Comics (1945-1991)
|
|
Joel
E. Vessels
|
205-221
|
What
Your Children Are Reading
|
|
Fabrice
Leroy /
Livio Belloï |
222-237
|
The
Cartoonist as Iconoclast: Flaubertian Irony and Media Parody in Pierre
La Police's Comics
|
|
Dominique
Le Duc
|
238-253
|
XX1st
Century Graphic Novels: A Voyage with Edmond Baudoin
|
|
Marc
Weidenbaum
|
254-265
|
The
Maestro of Belleville: Benoît Charest
|
|
Barbara
Postema
|
266-272
|
Memories
That Don't Weaken: Seth and Walter Benjamin
|
|
David
Ehrlich
|
273-284
|
An
Interview with Dan Mitsui, Dartmouth College's Graphic Novelist
|
|
Edward
Portnoy
|
285-303
|
Follow
My Nose: Self-Caricature in Cartoons of the Yiddish Press
|
|
José Alaniz
|
304-324
|
Supercrip:
Disability and the Marvel Silver Age Superhero
|
|
Tim
Blackmore
|
325-349
|
300
AND TWO: Frank Miller and Daniel Ford Interpret Herodotus's Thermopylae
Myth
|
|
Stephen
Rauch
|
350-363
|
"We
Have All Been Sentenced": Language as Means of Control in Grant
Morrison's Invisibles
|
|
James
Bucky Carter
|
364-375
|
"There'll
Be Others Converging": Fighting American, The Other, and "Governing"
Bodies
|
|
Masao
Yokota
|
376-391
|
A
Master Animator: Yasuji Mori's Works for Children
|
|
Kinko
Ito
|
392-403
|
Growing
Up Japanese Reading Manga
|
|
Vivian
Zenari
|
404-414
|
Sluts
for a Story: Narrative and Comics in Patricia Seaman's New Motor
Queen City
|
| Lim Cheng Tju |
415-430
|
Chop Suey -- Cartoons about the Japanese Occupation and National Education in Singapore |
| Carmen Moran |
431-444
|
Allies Cartoon Humor in World War II: A Comparison of "Willie and Joe" and "Bluey and Curley" |
| Mark T. Rusch |
445-455
|
The Deranged Episode: Ironic Dissimulation in the Domestic Scenes of Edward Gorey's Short Stories |
| John A. Lent |
456-457
|
The Printed Word |
| A.
David Lewis / Ana Merino |
458-463
|
Book Reviews |
| Ivy
Garlitz / Roger Sabin / Michael Rhode / Stephen Rauch |
464-471
|
Exhibition Reviews |
| Gene Kannenberg, Jr. |
472-476
|
Critical Closure |
|
477-483
|
Portfolio | |
| John A. Lent | 1 |
Will Eisner (1917-2005), a Friend of Comics Scholarship |
| [Late/Post-Soviet
Russian Komiks: A Symposium] edited by José Alaniz |
||
| José Alaniz | 5-21 |
Introduction or, Why I Call Them Komiks |
| Vitor
Erofeyev (José Alaniz) |
22-38 |
Comics and the Comics Disease |
| Denis
Chekalov (José Alaniz) |
39-55 |
Comics: The World, If You Blink Slowly |
| Oleg
Semenyuk (José Alaniz) |
56-63 |
Comics Art in the USSR: A Short Overview (1917-1985) |
| Philippe Morin | 64-66 |
Komiks and Russian Youth Culture |
| Ivan Mitrevski | 67-74 |
Russian Komiks and the Internet "Underground" |
| (Seth Graham) | 75-94 |
Comics in Education: Are They Useful? A Roundtable prepared by Svetlana Masimova |
| 95-102 |
Interview: Andrei Snegirov | |
| 103-109 |
Interview: The Tema Studio | |
| José Alaniz | 110-125 |
The "Quintessentially Russian" Komiks of Zhora Litichevsky |
| Margo Bistis | 126-148 |
Bad Art: The Decline of Academic Art in the Caricatural Salon |
| Brandon
W. Bollom & Shawn N. Mckinney |
149-179 |
Alphonse Marie Mucha: Posters, Panels...and Comics Books? |
| Eric A. Holmes | 180-187 |
Horror, Crime, and Red Dupes: The Agitative Rhetoric of Entertaining Comics |
| Monica Fontana | 188-205 |
From a Figure on the Left to a Caricature of the Right: Changes in the Public Image of Lula |
| Héctor D. Fernández L'Hoeste | 206-229 |
Flopi Bach: A Benevolent Misogyny? |
| Richard De Angelis | 230-249 |
Of Mice and Vermin: Animals as Absent Referent in Art Spiegelman's Maus |
| Lyombe Eko | 250-269 |
Beasts of No Nation: African Satirical Press "Re-Presentations" of Political Leaders in the Post-Cold War Era |
| Matthew T. Jones | 270-286 |
Reflexivity in Comic Art |
| Rob Lendrum | 287-303 |
Queering Super-Manhood: Superhero Masculinity, Camp and Public Relations as a Textual Framework |
| Héctor D. Fernández L'Hoeste | 304-316 |
How To Face Neoliberalism and Make It as a Mexican Cartoonist: Óscar González Loyo and the ka-Boom! Experience |
| [Asian
Animation, Online Cartooning, and Gaming: A Symposium] edited by John A. Lent |
||
| John A. Lent | 319 |
Introduction |
| Jae-Woong Kwon | 320-350 |
New Type of Popular Culture in the Internet Age: An Analysis of the Korean Essay Cartoon |
| Seungmin Song | 351-259 |
Korean Independent Animation: Its Origin and Meaning |
| Jia Jia | 360-388 |
Female Subject Animated: A Case Study of Digital Online Animation in Contemporary China |
| Hu Tze Yue | 389-403 |
Japanese Independent Animation: Fuyu no hi and its Exclusivity |
| Qi Wang | 404-421 |
Troubled Identities at Borderland -- Fantasy about the Past and the Future in Anime |
| Juhanita Jiman | 422-431 |
Malaysian Animation Industry: The History, Development, and Collective Efforts To Set Up a Global and Recognizable Animation Standard |
| Anthony Fung | 432-448 |
Hong Kong as the Asian and Chinese Distributor of Pokemon |
| Wan-Wen Day | 449-461 |
Being Part of Digital Hollywood: Taiwan's Online Gaming & 3D Animation Industry Under the New International Division of Cultural Labor |
| John A. Lent | 462-472 |
Cartooning in Réunion, with Special Reference to the Work of Serge and Appollo |
| Anita K. McDaniel | 473-484 |
Dave Sim on Guys |
| Francisco
Tadeo Juan (Dere Petrey) |
485-503 |
The Valencia School: Pioneer of Spanish Comic Strips |
| Myra Partridge | 504-512 |
Webtoonists: Making a Living Online |
| Sol M. Davidson | 513-529 |
Games People Play in the Comic Strips |
| Annalisa Di Liddo | 530-545 |
Transcending Comics: Crossing the Boundaries of the Medium in Alan Moore and Eddie Campbell's Snakes and Ladders |
| Jake Black | 546-552 |
Flop of Steel: Why "It's a Bird, It's a Plane, It's Superman" Did Not Fly Over Broadway |
| John A. Lent | 553-556 |
The Printed Word |
| Trina
Robbins Patric Rosenkranz David A. Beronä |
557-562 |
Book Reviews |
| Bart
Beaty Michael Hill Nick Thorelson Michael Rhode |
563-572 |
Exhibition Reviews |
| Gene Kannenberg, Jr. | 573-577 |
Critical Closure |
| 578 |
Portfolio | |
| [Pioneers
of Comic Art Scholarship Series, Part IV] edited by John A. Lent |
||
| R. C. Harvey | 3-43 |
It's Not My Fault Confessions of a Comics Junkie. Or, How I Became a Crazed Fanatic About Cartooning, Its History and Lore |
| John A. Lent | 44-46 |
Armand Mattelart and How To Read Donald Duck |
| Fusami Ogi | 47-67 |
Katayori Mitsugu: A Pioneer of Manga Studies in Japan Before and After the War |
| Randall W. Scott | 68-77 |
Beginnings and Landmarks: The Comic Art Collection at the Michigan State University Libraries and My Career |
| Richard
Langlois (Randall W. Scott) |
78-88 |
Pioneer in the Teaching of Bande Dessinée (Comic Art and Narrative) in Canad |
| John A. Lent and Xu Ying | 89-125 |
Cartooning and China’s “Cultural Revolution” |
| Louise C. Larsen | 126-146 |
The Flight of the Forehead in the Third Reich: The Political Satire of Hans Bendix |
| Janusz Kazmierczak | 147-163 |
Raymond Williams and Cartoons: From Churchill’s Cigar to Cultural History |
| Yamile Regalado Someillan | 164-197 |
Visual Culture and the New Cuban Man: Examining a Core Force of the Cuban Revolution, 1959-1963 |
| Claudia
Sánchez and Richard I. Parker |
198-224 |
Cultural Values in Latin American and U.S. Superhero Comics: A Text Analysis |
| Jerry Robinson | 225-235 |
The Ultimate Fantasy |
| Neil Cohn | 236-248 |
Un-Defining “Comics”: Separating the Cultural from the Structural in Comics” |
| Thierry Smolderen | 249-261 |
Thackery and Töpffer: The Weimaer Connection |
| Eric A. Holmes | 262-272 |
Solidification, Hidden Guilts and “The Prude”: EC’s Agitative Rhetoric Continued |
| Chunhyo
Kim and John A. Lent |
273-282 |
The Inside and Outside Worlds of North Korean Animation |
| Chris Murray | 283-310 |
Noble Enterprises: Strip for Me and the British Small Press |
| Stephen E. Kercher | 311-311 |
Cartoons as “Weapons of Wit”: Bill Mauldin and Herbert Block Take on America’s Postwar Anti-communist Crusade |
| Flávio Mario De Alcantara Calazans (Kenzi Tomoa) |
321-339 |
From the “Cricket” (Grilo) to the “Cockroach” (Barata): Visual Poetics in the Brazilian Comics (European BD + Japanese Manga and USA Underground Comix) |
| Sol M. Davidson | 340-357 |
The Funnies’ Neglected Branch: Special Purpose Comics |
| Julia Round | 358-369 |
Fragmented Identity: The Superhero Condition |
| Thomas Alan Holmes | 370-374 |
Warren Ellis’ “Shoot” and Media Passivity |
| Brian Ruh | 375-398 |
Creating “Amateur” Manga in the US: Pedagogy, Professionalism, and Authenticity |
| John A. Lent | 395-400 |
The Printed Word |
| Craig Fischer | 401-403 |
Book Reviews |
| Steven
M. Bergson Marc Weidenbaum Michael Rhode Meisha Rosenberg Ana Merino |
404-412 |
Exhibition Reviews |
413 |
Portfolio | |
| Noelle P. Bradley | 1 |
Masks That Reveal: Social Inequality in J.-J. Grandville's Les Métamorphoses du Jour (1828-1829) |
| Leonard Rifas | 17 |
"Especially Dr. Hilde L. Mosse": Wertham's Research Collaborator |
| Carolyn Wong | 45 |
Learning about My Grandfather |
| John A. Lent | 71 |
The Richness of African Cartooning: A Secret Far Too Long |
| Jigal Beez | 114 |
Winners, Cheats, and witches: East African Soccer Cartoons |
| John A. Lent | 137 |
Life of a Cartoonist in one of Kenya's Worst Slums. Drawing by Rough (Rafael Opany) |
| José Alaniz | 145 |
Caricature and Incarceration: The Case of Slava Sysoev |
| [Ever-Ending
Battle: A Symposuim] |
||
| A.David Lewis | 163 |
Ever-Ending Battle |
| Edward Brunner | 174 |
Death and the Maiden: Milton Caniff's Pre-War Anti-Elegiac War Elegy |
| Arnold T. Blumberg | 197 |
"The Night Gwen Stacy Died": The End of Innocence and the "Last Gasp of the Silver Age" |
| Abraham Kawa | 212 |
The Universe She Died In: The Death and Lives of Gwen Stacy |
| José Alaniz | 234 |
Death and the Superhero: The Silver Age and Beyond |
| Wilbur Farley | 249 |
"The Disease Resumes Its March to Darkness": The Death of Captain Marvel and the Metastasis of Empire |
| William Duffy | 258 |
Sing Muse, of the Immortal Hero: Using Epic To Understand Comic Books |
| Michael Niederhausen | 271 |
Deconstructing Crisis on Infinite Earths: Grant Morrison's Animal Man, JLA: Earth 2, and Flex Mentallo |
| Nuh-Hoa Nguyen | 283 |
The Rhetoric of Omission in Comic Art |
| Caitlin E. Pantos |
301 |
La Donna Di Carta Guido Crepax's Valentina and the Dream of Italian Female Emancipation |
| Héctor D. Fernández L'Hoeste | 346 |
Beyond Just Gender On The World of Maitena Burundarena |
| Ana Merino Translation by Derek Petrey | 362 |
Variable Identities in the Mexican Comic-Strip: Don Catarino in the Stereotypical Space of the Cannibals |
| Frank Verano | 378 |
Spectacular Consumption: Visuality, Production, and the Consumption of the Comics Page |
| Matthew T. Jones | 388 |
Fiend on Film: Edwin S. Porter's Adaptation of Dreams of the Rarebit Fiend |
| Jeff McLaughlin | 412 |
9-11-01: Truth, Justice and Comic Books |
| Ryan Holmberg | 426 |
For Your Words, I Shall Rip Out Your Tongue: Shirato Sanpei and the Talking Head of Manga |
| Chang-de Liu | 456 |
Negative Impact of Digital Technologies on Artists: A Case Study of Taiwanese Cartoonists and Illustrators |
| Michael van Dyk | 466 |
Turkey's Soprano of Cartooning -- Selma Emiroglu-Aykan |
| Vicki Karaminas | 498 |
"No Capes!" Über Fashion and How "Luck Favors the Prepared": Constructing Contemporary Superhero Identities in American Popular Culture |
| Mark C. Rogers | 509 |
Understanding Production: The Stylistic Impact of Artisan and Industrial Methods |
| Delphine Carron | 518 |
Paul Auster's City of Glass: From Word to Picture |
| Nancy Hudson-Rodd and Sundar Ramanathaiyer | 532 |
Cartooning the Iraq War: No Laughing Matter |
| Cord Scott | 546 |
The "Good" Comics: Ising Comic Books To Teach History |
| John A. Lent | 562 |
The Printed Word |
| David
A.Beronä Harvey Pekar Martha H. Kennedy Jessica Milner Davis Michael Rhode Marc Singer |
567 |
Book Reviews |
| Christian
Hill Ron Stewart Lotta Fjelkegård Aaron Kashtan Martha H. Kennedy Barbara Postema Nick Thorkelson Philip Sandjfer |
579 |
Exhibition Reviews |
| John A. Lent | 607 |
The Story Behind the Cartoon |
608 |
Portfolio | |
| John A. Lent | 1 |
Ediotr's Note |
| C Hill | 6 |
Marjane Satrapi Interviewed, August 24, 2003 |
| Wood-hung
Lee and Yomei Shaw |
34 |
A Textual Comparison of Japanese and Chinese Editions of Manga: Translation as Cultural Hybridization |
| Marco Pellitteri | 56 |
Manga in Italy History of a Powerful Cultural Hybridization |
| Ron Stewart | 77 |
An Australian Cartoonist in 19th Century Japan: Frank A. Nankivell and the Beginnings of Modern Japanese Comic Art |
| Amy Kiste Nyberg | 98 |
Theorizing Comics Journalism |
| Stephan Packard | 113 |
Reflections of the Cartoon |
| Michael Rhode | 126 |
Harvey Pekar at the 2005 Small Press Expo |
| Héctor D. Fernández L'Hoeste | 163 |
On Angels, Drugs, and Trade: Edgar Clément's Operación Bolivar |
| Özge Samanc | 181 |
Lynda Barry's Humor: At the Juncture of Private and Public, Invitation and Dissemination, Childish and Professional |
| Sol M. Davidson | 200 |
Love Affair with a Unique Medium: Big Little Books |
| Katrina D. Thompson | 228 |
The Stereotype in Tanzania Comics: Swahili and the Ethnic Other |
| Kristin L. Matthews | 248 |
The ABCs of Mad Magazine: Reading, Citizenship, and Cold War America |
| Marc Singer | 269 |
"A Serious House on Serious Earth": Rehabilitating Arkham Asylum |
| Ed Ross | 283 |
The Representation of Immigrants and Immigration in UK Political Cartoons from 1968 to 2005 |
| José Alaniz | 307 |
Speaking the "Truth" of Sex: Moore & Gebbie's Lost Girls |
| Frank Verano |
319 |
Invisible Spectacles, Invisible Limits: Grant Morrison, Situationist Theory, and Real Unrealities |
| Clark Farmer | 330 |
Comic Book Color and the Digital Revolution |
| Fang Cheng | 347 |
What Is Humor? |
| Racial
Identity: A Mini Symposium |
||
| Dale Jacobs | 363 |
Ho Che Anderson Interview |
| Neil Shyminsky | 387 |
Mutant Readers, Reading Mutants: Appropriation, Assimilation, and the X-Men |
| Matthew Diebler | 406 |
"I;m Not One of Them Anymore": Marvel's X-Men and the Loss of Minority (Racial) Identity |
| William H. Foster III | 414 |
Do We Still Have To Be Black? Comic Book Creators Discuss Racial Identity |
| 430 |
Corrections | |
| John A. Lent | 432 |
The Printed Word |
| José
Alaniz Leonard Rifas |
436 |
Book Reviews |
| Michael Rhode | 445 |
Exhibition and Media Reviews |
| José
Alaniz Francesco Casolo Craig Fischer Michael Rhode Trina Robbins Roger Sabin Randall W. Scott Nick Thorkelson |
447 |
Exhibition Reviews |
| John A. Lent | 497 |
The Story Behind the Cartoon(s) |
500 |
Portfolio | |
[Kibyoshi:
The World's First Comicbook?] edited by Adam L. Kern |
||
| Adam L. Kern | 3 |
The Kibyoshi: Japan's Eighteenth-Century Comicbook for Adults |
| Glynne Walley | 33 |
Kyokutei Bakin's Buy My Candy and I'll Give you a Kite Story |
| Ivan Grail | 61 |
The Truly Un-Canny Samurai: Classical Literature and Parody in the Kibyoshi |
| William Fleming | 79 |
The Tao of Kibyoshi: Santo Kyoden's Zhuang-zi: The Licensed Edition |
| Kristin H. Williams | 119 |
Cerisscrossed Confucianism: Images of Edo as a Virtuous Dystopia |
| William Burton | 135 |
Fantastic Travel as Utopia or Dystopia in Edo Period Illustrated-Fiction |
| Akiko Walley With a Translation by Akiko Walley and Glynne Walley | 157 |
Through the Looking-Glass: Reflections on Kibyoshi Illustrations in Kishida Toho's Comicbook Chronicle |
| Florencia Paula Levín | 198 |
Politics Seen Through the Prism of Humor in the Argentinean Democratic Transition of 1973: Landrú and Ian |
| Kyle D. Wegner | 231 |
Lalo Alcaraz's "La Cucaracha" "Normalizes" chicanos |
| David R. Spencer | 262 |
The Press and the Spanish American War: Political Cartoons of the Yellow Journalism Age |
| Jay Casey | 281 |
The Dynamics of Quiet Heroism and Invisible Death In American Soldier Cartoons of the World Wars |
| Pascal Lefèvre | 296 |
The Unresolved Past: Repercussions of World War II in Belgian Comics |
| Karna Mustaqim | 311 |
Mumbling Our Comics: An Overview of Indonesial Comic Books' Condition |
| Anne Reef | 332 |
The Art of Darkness: Repression and Its Expression in J. M. Coetzee's Waiting for the Barbarians, Athol Fugard's Tsotsi, and Sue Coe and Holly Metz's How To Commit Suicide in South Africa |
| Maren Dick | 353 |
Sneaky, Sinister, and Scapegoated: Chinese Immigration and Exclusion as Represented in The Wasp, 1877-1889 |
| [Cartooning
in Australia: Asymposium] |
||
| John A. Lent | 378 |
Introduction |
| Vane Lindesay | 380 |
The Rise and Demise of the Australian Comic Strip |
| Michael Hill | 411 |
The Graphic Expression of the Lives, Obsessions, and objections of Small Press Sick Puppies and Scat(ology) Cats: A Short Survey of Some Aspects of Australian Alternative Comics 1990-2000 |
| Vicki Karaminas | 438 |
Australian Gothic: Black Light Angels, Fashion, and Subcultural Style |
| Rolf Heimann | 453 |
Ned Kelly -- Australian Cartoonists' Favorite Idiom |
| Lindsay Foyle | 460 |
An Essay: The Life and Death of the Larrikin Image |
| Roman Rosenbaum | 468 |
Australia and Symbolic Representation in the "Cartoon Controversy" |
| Barbara Postema | 487 |
Draw a Thousand Words: Signification and Narration in Comics Images |
| Dale Jacobs | 502 |
Beyond Visual Rhetoric: Multimodal Rhetoric and Newspaper Comic Strips |
| Massimo REpetti | 515 |
African "Ligne Claire": The Comics of Francophone Africa |
| Jigal Beez | 542 |
The Swahili Titanic: The Tanzanian Appropriation of a Global Tragedy |
| Edward Whatley | 554 |
"In the Crooked Shadows of Wildwood Cemetery": Will Eisner's The Spirit and the Gothic Tradition |
| Robert S. Petersen | 578 |
The Acoustics of Manga: Narrative Erotics and the Visual Presence of Sound |
| Roman Rosenbaum | 591 |
Motomiya Hiroshi's The Conuntry Is Burning |
| Anna Notaro | 610 |
"Innocence Is Life": Searching for the Post-Human Soul in Ghost in the Shell 2 |
| Domingos Isabelinho | 625 |
Matt Marriott: The Western with a Human Face |
| Alfonz Lengyel | 640 |
Liao Bingxiong (1915-2006) |
| Fang Cheng | 644 |
Long Live, Brother Bing! |
| Liao Bingxiong Translated by Xu ying | 647 |
Speaking Out on Going To Make a Will |
| John
A. Lent Xu Ying |
650 |
Liao Bingxiong: "A Chinese Style Man with Universal Values" |
| Vesna Dovnikovic | 668 |
Croatian Animation Today |
| Borivoj Dovnikovic Bordo | 672 |
My Work in Animation |
| Michael J. Lecker | 679 |
"Why Can't I Be Just Like Everyone Else?": A Queer Reading of the X-Men |
| Anita K. Mcdaniel | 688 |
Negotiating Life Spaces: Has Marriage Marginalized Storm? |
| John A. Lent | 703 |
The Printed Word |
| Michael Rhode | 707 |
Book
Reviews
John A. Lent's Comic Art Bibliographies: An Appreciation |
| K.A. Laity | 710 |
Moomin Book One: The Complete Tove jansson |
| Michael Rhode | 712 |
Exhibition Reviews |
| Michael Rhode | 715 |
Enduring Outrage: Editorial Cartoons by Herblock and Cartoon America: Highlights from the Art Wood Collection of Cartoon and Caricature |
| A. David Lewis | 722 |
Black and White and Read All Over: Comic Art and Artists |
| Pascal Lefèvre | 723 |
Le Monde de Franquin |
| Michael Rhode | 726 |
Simplicissimus and the Empire 1896-1914 |
| Trina Robbins | 729 |
The Rejection Collection: Not in the New Yorker Cartoons |
| Craig
Fischer Michael Rhode |
730 |
Masters of American Cartoons -- Two Reviews |
| Michael Rhode | 738 |
Superheores: Good and Evil in American Comics |
| Jenny Robb | 740 |
Resources: An Updating The ohio State University Cartoon Research Library Turns 30 |
| Randall W.Scott | 743 |
comic Art Collection at Michigan State University Libraries 2006 Report |
| John A. Lent | 745 |
The Story Behind the Cartoon(s) |
| Cartoons
by Godfrey Mwampembwa fan Lintao Winfried Besslich Mohamed Hakem Esmail Effat Xu Pengfei Habib Haddad Massoud Shojai Tabatabei, Jozef Schek Rolf Heimann Qi Jianhua |
748 |
Portfolio |
| John A. Lent | 1 |
Editor's Note |
[Gallery
Comics: A Symposium] edited by C Hill |
||
| C Hill | 6 |
Gallery Comics: The Beginnings |
| Joanna Roche | 13 |
Gallery Comics: Contemporary Contexts |
| Andrei Molotiu | 24 |
Permanent Ink: Comic Book and Comic Strip Original Art as Aesthetic Object |
| Mark Staff Brandl | 43 |
Panels, Covers, and Viewers: My Mongrels of Painting, Installation, and Comics |
| Maurice Horn | 58 |
Comics and Cinema: The Beginnings (1896-1913) |
| Mark K. McKinney | 68 |
Georges Remi's Legacy: Between Half-Hidden History, Modern Myth, and Mass Marketing |
| Adam Rosenblatt | 81 |
The Making and Remaking of El Eternauta |
| Roberto Elísio dos Santos | 93 |
Humor Comics in Brazil: A Study of the Production of the Circo Editorial |
| Rodrigo Baeza | 118 |
Obituary
Roberto Fontanarrosa (1944-2007) |
| Interview
with Nicoletta Fagiolo |
121 |
Zapiro's Weapons of Mass Destruction |
| [Egyptian
Cartooning: A Symposium] edited by John A. Lent |
||
| John A. Lent | 140 |
Egyptian Cartooning: An Overview |
| Rania M.R. Saleh | 187 |
Political Cartoons in Egypt |
| Abdelghani Jbara with John A. Lent | 226 |
Using Comics in Development in the Arab World: Prospects and Impediments |
| Mohamed Hamdy Hamed Ahmed | 243 |
Sarcasm in the View of the Ancient Egyptian |
| Jon C. Gordon | 248 |
John Miller Baer: congressman-Cartoonist |
| Ann Miller | 258 |
Postcolonial Identities |
| Woody Woodis | 275 |
Caricature in French Political Cartoons |
| Scott R. Schoner | 288 |
A Survey of Doughboy Humor in World War I |
| Julia Round | 316 |
Visual Perspective and Narrative Voice in Comics: Redegining Literary Terminology |
| Martin de la Iglesia | 330 |
An
Essay Geographical Classification in Comics |
| Christophe L. Dony | 340 |
Trauma, Identity and Memory: The Individual/Collective Dialectic in 9/11-related Comics |
| Matthew T. Jones | 373 |
Construction of Social Memory through Strategies of Reflexivity: A Case Study in Three Texts by Art Spiegelman |
| Meisha Rosenberg | 396 |
Multimodality in Phoebe Gloeckner's Diary of a Teenage Girl |
| Randall W. Scott | 413 |
European Western Comics: A Kind of Round-Up |
| Marco Pellitteri | 425 |
Pornography and Sinaesthesia in Manga: Multi-sensorial Reception of Eros in Japanese Comics |
| Herbeth L. Fondevilla | 441 |
Contemplating the Identity of Manga in the Philippines |
| Sueen Noh | 454 |
"To Be or Not to Be, That Is the Question": What Is Happening with Korean Comics, (Manhwa), Today? |
| Fang Cheng | 478 |
Fang Cheng's Theories on Humor and Cartooning |
| David Beard with Katelyn Hoa Vo Thi-Beard | 511 |
Silver Age in Hidden Places: The Other Orgin of Brainiac |
| John A. Lent | 518 |
The Printed Word |
| Sol
M. Davidson Pascal Lefèvre Phillip Troutman David A. Beronä Matthew J. Smith John A. Lent Gert Meesters |
525 |
Book Reviews |
| Vanessa Rane | 551 |
Review Essay |
| Michael
Rhode K.A. Laity Richard Graham Clare Pitkethly Phillip Troutman David Robertson Martha H. Kennedy Michael Hill Meisha Rosenberg José Alaniz Matthias Wivel Vanessa Raney Ron Stewart |
561 |
Exhibition and Media Reviews |
632 |
Letters | |
635 |
Resources | |
637 |
Correction | |
638 |
Portfolio | |
[Biff!
Bam!! Crikey!!!] A Comics Conference In Scotland, 2007 Compiled and edited by Christopher Murrary |
||
| Christopher Murray | 3 |
Introduction |
Section
1: Gazooks! Comics in Scotland |
||
| Matthew Jarron | 9 |
1.1 Before The Beano -- The Prehistory of Dundee Comics |
| John
Chalmers Sandra Marrs |
18 |
1.2 Meeting with metaphrog |
Section
2: Wizard! Moore, Morrison, and Superhero Comics |
||
| Julia Round | 24 |
2.1 London's Calling: Alternate Worlds and the city as Superhero in Contemporary British-American Comics |
| Shaum Manning | 32 |
2.2 Language and Fiction in the Creation of Reality in The Invisibles |
| Section
3: Zoinks! Comics, Politics and Identity |
||
| Peter Hughes Jachimiak | 39 |
3.1 " D'You Wanna be In My Gang?": Boys' Comics, Club Membership, and a "Tribal Britain" |
| Nicole Devarenne | 48 |
3.1 "A Language Heroically Commensurate with His Body": nationalism, Fascism, and the Language of the Superhero Comic |
| Section
4: Zap! Comics and Other Media |
||
| Anna Zanfei | 55 |
4.1 Defining Webcomics and Graphic Novels |
| Brian Hoyle | 62 |
4.2 Irresponsible Pictures: Questions of Adaptation and Morality in the comic and Film Versions of Road to Perdition |
| Kevin Corstorphine | 68 |
4.3 Killer7 and Comic Book Aesthetics in Contemporary Video Games |
| 74 |
Contributors | |
| John
A. Lent Xu Ying |
76 |
Cartooning and Wartime China: Part One -- 1931-1945 |
| Adam Cathcart | 140 |
Atrocities, Insults, and "Jeep Girls": Depictions of the U.S. Military in China, 1945-1949 |
| Todd S. Munson | 155 |
Dangerous! China and Xenophobic Comics in Contemporary Japan |
| Helen Yu-Rivera | 174 |
Drawing the Line Between Racism and Political Correctness: Filipino Editorial Cartoonists Reconsider the Japanese |
| Ryan Holmberg | 200 |
Let We Go: An Interview with Hiroki Otsuka |
| Joseph Witek | 218 |
American Comics Criticism and the Problem of Dual Address |
| Robert S. Petersen | 226 |
Metamorphosis of the Phylactery: changes in Emanata from the Medieval Times through the 18th Century |
| orion ussner Kidder | 248 |
Show and Tell: Notes Towards a Theory of Metacomics |
| Benjamin Woo | 268 |
Essay An Age- Old Problem: problematics of Comic Book Historiography |
| Pedro Pérez del Solar | 280 |
"A Führer's Day": Comics and Politics of Memory in 1980s Spain |
| Héctor Fernández L'Hoeste | 298 |
Amid nation and Empire: Puerto Rico's El Antillano and Its Interactive Cuadernos |
| Mike Kelly | 313 |
Ary Spiegelman and His Circle: new York City Comix and the Downtown Scene |
| Luc D. Guglielmi | 340 |
The Fantastic in the Work of jean-Claude Servais |
| John A. Lent | 352 |
Cartooning, Public Crises, and Conscientization: Aglobal Perspective |
| Matthew Blake | 387 |
Political and Promotional Conceptions in Woody Guthrie's People's World Cartoons |
| José Alaniz | 407 |
"Rutting in Free-Fall": Moore and Bissette/Zulli's "Act of Faith" |
| Janis :. Edward | 120 |
Visualizing the Face of Domestic Terrorism in Editorial Cartoons: Transforming a Stereotype |
| Lindsay Foyle | 433 |
Essay
Australian Politics and "Cartoon Bias" |
| Hamish Ironside | 438 |
Alan Guppy and "Stone de Croze" |
| Louis Gordon | 452 |
Essay Jewish Graphic Gangster |
| Joseph J. Darowski | 461 |
It's A bid, It's a Plane, it's ... Synthesis: Superman, Clark Kent, and Hegel's Dialectic |
| R. J. Gregov | 471 |
The Re-illustration of Comic Book Heroes |
| Muhammed Shahriar Haque | 482 |
"Kee's World": Reflections of Evolving Identity |
| Luiu
Hong Ying Tang Min |
513 |
Finance Cartoons: A Way of Reviving Chinese Press Cartoons |
| Peter Walton | 522 |
The "Archaic Mother" in Charles Burns' Black Hole: A Psychoanalytic Reading |
| Eileen Akin | 535 |
Resource
My Beloved Cartoonists: original Cartoon Art from Fred Waring's America |
| Zheng Huagai | 543 |
He Was Such a Kind Person -- Eulogistic Comments on Chinese Cartoonist Wang Fuyang, 1935-2008 |
| John
A Lent Xu Ying |
553 |
Editors' Remembrances of Wang Fuyang |
| John A. Lent | 554 |
The Printed Word |
| David
A. Beronä John A. Lent Marc Singer Jeff Geers Matthew J. Smith Steven M. Bergson |
559 |
Book Reviews |
| Michael
Rhode Trina Robbins José Alaniz Bobby Kuechenmeister |
580 |
Exhibition Reviews |
592 |
Letters | |
593 |
Portfolio | |